Creighton Michael
COMPOS' ite: The Ensemble

COMPOS' ite: The Ensemble

Amanda Brin, William Hakim, Bruce Roter, Yvonne Hansbrough, Creighton Michael, David Bebe at the Esther Massry Gallery

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caption:Amanda Brin, William Hakim, Bruce Roter, Yvonne Hansbrough, Creighton Michael, David Bebe at the Esther Massry Gallery

COMPOS' ite: Works by Modern and Contemporary Composers

Sunday, January 23, 2011 at 3:00 p.m.

A World Premier, Modern and Contemporary Works Fuse Music and Art

Performed by Yvonne Chavez Hansbrough, Flute; Amanda Brin, Violin; William Hakim, Viola; and David Bebe, Cello

A reception follows the concert

  • Suggested donation $20.00
  • Saint Rose faculty and students free with ID
  • Reservations encouraged
  • Information and reservations: 518-485-3902

Sponsored by the School of Arts & Humanities

Program: Light Screens for flute, violin, viola and cello by Andrew Norman (b. 1979); String Trio, Opus 20 by Anton Webern (1883-1945); and the world premier of CONSTRUCT for flute, violin, viola and cello by Bruce Craig Roter (b. 1962).

The concert series, “Chamber Music at the Esther Massry Gallery” continues Sunday, January 23 with "COMPOS’ ite: Works by Modern and Contemporary Composers” performed by an ensemble of Saint Rose music faculty. Featured is the world premier of “CONSTRUCT,” new music written by resident composer Bruce Craig Roter in response to Creighton Michael’s exhibition on view at the gallery through January 23.

"Chamber Music at the Esther Massry Gallery" offers opportunities for audiences to compare the different ways in which artistic expression is manifested and the means by which musicians and artists create their work. Audiences are encouraged to learn more about the music performed and the artistic process. Mid-and post-performance conversations between the audience and performers serve as further catalysts for cross-disciplinary discussion.

Chamber Music at the Esther Massry Gallery: COMPOS' ite

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COMPOS' ite Ensemble

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COMPOS ite” emphasizes the conceptual, visual, spatial and sensual collaboration between modernist–contemporary music and art, the concepts of mark making, process and techniques manifested in both and the experiential possibilities that extend to the audience. Featured is the world premier of “Construct” by Saint Rose resident composer Bruce Craig Roter. Written for Flute, Violin, Viola, and Cello, “Construct” is commissioned by The Esther Massry Gallery at The College of Saint Rose.

The music is a collaborative effort with the artist Creighton Michael for the exhibition "Tangible Marking: The Dimensional Drawings of Creighton Michael." In composing “Construct,” Roter gains inspiration from Michael's artwork as well as his creative process. This is especially true with regard to the manipulation of materials to create dimensional objects. Whereas the artist creates an interplay of spontaneity and structure by overlaying materials upon a grid, “Construct” presents the introduction and manipulation of sonic events as they are layered upon the relative stability of a steady pulse (most frequently reflected by the plucked notes of string instruments).

While the concept of dimension is significant within Michael's work, the present collaboration offers viewers and audience members an added dimension. The vibrancy and interest created between structure and spontaneity (the "fixed" versus the "mobile/temporal") as seen in Michael's work becomes reinterpreted in a new and wonderful way through this combined visual/aural experience.

Creighton Michael and Dr. Bruce Roter
Artist and Composer Collaborate

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